Band of the Day


Shawn Lee

A veteran multi-instrumentalist explores vintage tones and textures in a search for interstellar funk perfection
Boogie children, children gonna boogie on a saturday night.
lyrics from Boogie Children

The seventh in the Ping Pong Orchestra album series sees multi-instrumentalist Shawn Lee go global. This is the soundtrack to places Lee has been, and would like to visit, and was made using instruments he's picked-up along the way. Miles of Styles is inspired by the multi-cultural mix of people in his hometown of London, the awe inspiring metropolis that is New York City, and by the mysterious uber-stylish vibe of Tokyo. Not to mention Jamaica, Finland, Greece, China, France and beyond.

Lee's sound, which started as a take on old-school library albums and has grown into a sound of his own, is made possible by his inability to stop making music in an insanely overpopulated studio. A 1940's early proto-synth called a Clavioline, a 100 year old Marxophone zither, a 1950's Virginal Harpsichord, a 1950's Xylophone, a rare 1967 Vox guitar that has Fuzz, Tremelo and wah-wah built in, a 1930's Double Bass and an early 1900's keyboard called a Dulcetone all reside within the walls of Lee's facilities. As a multi-instrumentalist and singer Shawn Lee has played and recorded with a diverse range of artists including Psapp, Coldcut, Leeann Rhimes, Martina Mcbride, UNKLE, Tony Joe White, Chateau Flight, The Dust Brothers, St. Etienne, Jeff Buckley, Bomb the Bass, The Spice Girls, and Natasha Atlas not to mention solo records for Talkin Loud, Wall of Sound imprint We Love You and BBE.