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Ever since I can remember, ever since this baby spoke, I’ve been vying for a stint in the land of mirrors and smoke. ”

Lyrics from Boo Hoo Hoo

“I’ve got this place where we could go / It ain’t nothin’ fancy / But I’ll put on a show” 25-year-old Colleen Rennison is a force of nature, a post modern blues belter and queen of soul, a hard-singing, hard-loving, hard-drinking, hard-working throwback to those she grew up listening to, including Nina Simone, Tina Turner, Joe Cocker, Big Mama Thornton, and Bessie Smith. “People have been telling me I’ve sounded like Janis Joplin since I was five years old,” the actress/singer admits. “My mom was a little wary of introducing me to her at an early age. Maybe she wanted to keep me away from sex, drugs and rock ‘n’ roll as long as possible.” If that was the case, her mom failed miserably, because Rennison, who learned from a cousin that her name was “No Sinner” spelled backwards, is now the singer of a raucous rock band with guitarist Eric Campbell, drummer Ian Browne and bassist Bradley Ferguson. Their debut album, Boo Hoo Hoo, includes six tracks from a EP released in 2012. Boo Hoo Hoo travels from the juke-joint jump blues rockabilly of its title track and the Delta swamp of “Running,” with a chugging Creedence beat, to “Love Is Madness” with a Motown bass line and a Dusty Springfield “Spooky” vibe. Other highlights include a cover of Nina Simone’s version of Nat Adderley / Oscar Brown Jr.’s “Work Song”, the soaring, affirmative gospel revival of “Rise Up,” the sensuous plaint of “If Anything” and the feedback-charged “Devil on My Back,” a band composition that features Black Mountain’s Matt Camirand. No Sinner’s music is about the clash between the sacred and the profane, the preacher and the devil, the sins of Saturday night at the local watering hole being washed away in the redemption of Sunday morning in church; in short, the very contradiction at the heart of rock ’n’ roll. “It’s a consistent theme in my life to negotiate between being animals and yet righteous,” explains Rennison. “How we need a healthy dose of both good and evil in our lives. Music itself is very much a medium between us and the spiritual world. The things we express in our songs run the gamut from sinful to celestial.” Weaned on musicals and Disney films, Rennison’s career began as a child actor in the Canadian indie film Max in 1994 at the tender age of six, which is about the time when she first started singing as well. She appeared John Dahl’s Unforgettable, Rob Reiner’s The Story of Us and Sally Field’s Beautiful, as well as TV series including The Outer Limits, Highlander: The Series, Poltergeist: The Legacy, Millennium, The Sentinel and Stargate SG-1. More recently, she appears and sings in the 2013 indie film Down River, which has been getting critical acclaim at film festivals. Rennison studied at New York’s famed Circle in the Square, returning to Vancouver when the theater school officials suggested the range of her “untrained” voice was “too low” (!) On returning to her hometown, Vancouver, Colleen started writing with Parker Bossley (formerly of Hot Hot Heat) and joined up with future band members Campbell and Browne, for a weekly Thursday night residency at Guilt and Company, a new club in Vancouver’s Gastown district. “I honed my chops, my stage confidence, my style and versatility,” explains Colleen. “I also learned to play with other musicians.” Known for appearing in a T-shirt and cut-off jean shorts, Rennison’s larger-than-life, whiskey-swigging, last of the red-hot blues mamas is no act, even though it takes the stage to fully come alive. “I may have started acting first, but music was always first and foremost to me,” she explains. “Acting accesses a totally different part of my creativity. It would be an absolute blessing to be able to do both. Right now, music is my priority.” “Lay down your burdens … And rise up!” “So much of the music I started listening to as a girl came from churches and gatherings where people congregated and sang their blues away,” she says. “It’s a dirty business loving me / It’s going to be hard sometimes,” she warns on the sultry “If Anything.” “That’s a disclaimer for anyone who wants to get involved with me,” laughs Colleen. “I’m warning you now.” With her in-your-face stage presence and down-to-earth T-shirt and shorts (“I want to bridge the gap between class and trash,” she says), Rennison is an old soul, wiser than her years might suggest. “I love the idea of these women who very much lived in a man’s world, touring on the road,” she says. “Just the idea of the things these women must have seen, the lives they led and how it came out in the music has always inspired me. “I’ve always connected with folklore and history, a simpler time of life. Since I was a kid. I’ve always felt a little out of place in the modern world.” You can hear that reverence for the past in Boo Hoo Hoo, along with a desire to drag it kicking and screaming into 2013. “I just want to play music with people I love and respect” says Colleen. “I want to see the world. People who come to our shows leave happy. And as long as you keep making music that people want to listen to, how could you go wrong? Colossal success would be nice, but right now we’re just concentrating on the quality and, hopefully, the rest will fall into place.” No Sinner don’t mind you comparing them to other people, but they remain true to their own instincts.“We just write whatever comes to us,” insists Rennison. “We’re fans of a variety of different sounds and kinds of music. We’re inspired that groups like Black Rebel Motorcycle Club, early Kings of Leon and the White Stripes came out of the woodwork and brought it back to the basics. Luckily, we’re in between so many styles, we have the liberty to do what we please. We really don’t have a formula. We’re not here to be the next anybody. We’ve got our own mark to make."
No Sinner
Rock & roll tales about the clash between the sacred and profane, fronted by a red-hot blues belter
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